PART I
January 2005
KJ.
Please tell me about Heyoka Magazine?
JL.
Heyoka magazine is a non conventional and experimental
humanitarian art based magazine, encompassing various
art forms such as painting, sculpture, photography,
music, ballet, poetry, journalism, fashion,
film....There are also eastern and western philosophies
in a magazine forum to create awareness about various
issues. However, it is a work in progress and things
will probably change like everything else.
KJ.
What is your role, your intentions and expectations with
Heyoka?
JL. My
role is basically the Art Director and editing the Q&A.
My only intentions are to follow my gut and mental
radio. I don't really have any expectations .
I know that I would like to work behind the scenes and
focus on other people’s artwork, photography, drawings
and writing. It would be nice if it would happen
slowly and organically. I like the idea of
collaborating with other artists, emerging and also
established.
KJ.
How will it differ from artnet or other magazines like
Artforum, Flash Art etc.?
JL. I
will not be so commercially oriented. It will also
be much more diverse in subject matter. There will be
interviews; features philosophy, music, world politics,
poetry, mysticism, world news etc. There will be
columns on topics that the media do not like to address
and some investigative reporting (even about the media
itself). I could be wrong but I don't think that
you will find an interview with someone like Tich Nhat
Hahn in Flash art. It will also have a lot
more humor and un-orthodox advertisements. The ads
will be about raising awareness, or for charity. I don't
think that it will have as much art news or reviews. .
KJ. Do
you consider yourself an artist first?
JL.
No, not at all; labels don’t matter to me. I think
art should be a way of living. Making a painting
or a sculpture is just a by-product.
KJ.
How did you come up with Heyoka?
JL. I
have always been fascinated by all kinds of shamans from
China, Tibet, Mongolia and especially medicine people
from the American Indian cultures and their history.
I was looking for a title for one of my sculptures and
came across the word in a book by John {Fire} Lame Deer
and Richard Erdos "Lame Deer Seeker of Visions".
John {Fire} Lame Deer’s book is a masterpiece and eye
opener. I highly recommend it to any art student,
art historian or anyone else;
*Wicasa
Wakan – roughly translated, is a “medicine man”.
Kalitan
Jagvonjeul lives in New York City and London and is
Editor of hEyOkA mAgAzInE features and is currently
working on a documentary for the BBC.
PART II
September 2005
Elizabeth McKenzie: What
would you say is your vision for Heyoka magazine?
JL: Heyoka
magazine is about asking serious questions
through art, poetry, psychology, humour,
philosophy and other means. The
traditional heyoka quite fascinating the way
they brought about balance, self awareness, a
kind of reality check and order by doing this in
similar ways. Makes me think of Lenny Bruce and
his humour which was deadly serious and lethal
like a Zen slap or a bucket of ice cold water
over your head. Humour is very powerful medicine
and can hit you like a thunderbolt, but like
other medicine, needs to be measured and in the
right dose.
EM:
What do you think about all the cynicism in art
and the art world these days?
JL: Cynicism is just a callous coat of armor
born out of a disillusioned idealist. It feeds
on fear of exposure or revealing true
intentions, fear of rejection, failure, being
laughed at. Once you get over these fears,
cynicism seems absurd and even pathetic. Like
looking at a crab with its shell cracked open on
a beach. It's sad and it changes your
perspective.
EM: What about printing heyoka?
JL: I am working on it. The printed version will
be different from the online one and will focus
more on the artists and their work.
To be continued..........
www.johnlekay.com